Saigoneer | Arts & Culture
- How Richie Fawcett's Saigon Sketches Illuminate a Decade of Change
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Water as a Metaphor for Trauma, Memories and Unspoken Histories in Quế’s Art
Through installations and animated films, Quế traces the flow of water as they move through personal memories and collective histories, carrying generational trauma amidst urbanization, and even natural disaster.
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Insights, Polished History Lessons Await in Hanoi's Massive, Brutalist Military Museum
When I pitched a review of Hanoi’s massive new Vietnam Military History Museum to the Saigoneer editorial staff, I expected to find the museum somewhat boring. After all, although I am a historian, I am not really that interested in military stuff, and I’d been to the original location on Điện Biên Phủ Street several times — how could this new museum improve on the old one? What could this new museum say that the old one didn’t? What could I learn here that I haven’t already learned at Saigon’s War Remnants Museum and Hồ Chí Minh Campaign Museum, at Điện Biên Phủ’s war museum, at Hải Phòng’s naval museum, and at the countless other shrines to Vietnamese martial prowess across the country? Quite a lot, it turns out.
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Tourists Generate Up to 3 Times More Plastic Waste Than Locals, UNDP Finds
A recent report by the United Nations Development Programme (UNDP) warns that plastic waste pollution poses increasing problems for both the environment and the economy of the tourism industry, especially as the sector continues to grow rapidly.
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The Facetious Gender Politics of Gỗ Lim, Hanoi's Feminist Post-Punk Quintet
In an example of cruel irony, October 20 is when we celebrate annual Vietnam Women's Day, and also the anniversary of the passing of Mai Nga (commonly known as Nga Nhí), the lead singer of Gỗ Lim — a Hanoi-based female post-punk band that, albeit short-lived, struck a blow for women’s representation in rock and metal music in Vietnam in 2011 and 2012.
