Saigoneer | Arts & Culture
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Art Project ‘The Lottery of Forgotten Dreams’ Is a Wild Alchemy of Vé Số and Photography
Vé số ticket number 984430 yields a magenta fish contorting atop a ghostly image of an apartment high-rise in Tân Phú in “The Lottery of Forgotten Dreams – Topographies of the Unseen,” an art project by photographer Christian Berg. The experimental project, available to view in full online, employs computer technology to combine photography, numerology, and mythology and playfully reimagine how one visualizes Saigon.
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What Even Is an Expat: Unpacking the Contentious Term, in Vietnam and Abroad
“Expat is a racist as hell term” — this is the take of Misan Harriman on the popular internet show SubwayTakes. The reasoning goes that the term expat, short for expatriate, is racist because it is applied to migrants unevenly. Along this line, Mawuna Remarque Koutonin writes in Silicon Africa: “Africans are immigrants. Arabs are immigrants. Asians are immigrants. However, Europeans are expats because they can’t be at the same level as other ethnicities. They are superior. Immigrants is a term set aside for ‘inferior races.’”
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Review: In Lope Dope's Debut Album, a Summery Fictional World Powered by City Pop
“Tình ca thành phố vịnh,” the first album by Hanoian indie group Lope Dope, might come out at the end of summer in August, but its wealth of city pop exuberance and tropical cheer is enough to power any listener through the dreary rainy season and upcoming winter.
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On Searching for Rươi Vendor Street Calls, Hanoi's Harbinger of Autumn
Embedded in the street call of rươi vendors is the conjuring of autumn, when delectable cuisines from across the land of Vietnam come together on a dinner table.
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Group Exhibition 'Fiction, Fraction' Showcases 6 Artists in Diverse Visual Mediums
From August to October, art organizer Rare Sea brings a diverse group exhibition to Saigon, featuring artworks by six young artists: Lê Đ. Chung, Lê Nguyễn Minh Như, Nguyễn Thị Thanh Mai, Huyền Dương, Thanh Tùng (Ches) and Sophia Mai Brown.
