in Music & Arts

In 'Đêm Giao Thừa' EP, a Đàn Tranh Artist Offers Novel Twists on Nostalgic Tết Sounds

Indie đàn tranh artist Brian Bùi has just released Đêm Giao Thừa, an EP containing energetic covers of three classic Tết songs and an original track that pays homage to styles from the 1960s and 1970s.

Khôi Phạm

in Culture

Unraveling the Mystery Behind the 'Mùi Việt Kiều' of My Childhood

My favorite candy used to be Hershey’s Kisses. Wrapped in colorful, sparkling foil, these little nubs of decadence made me feel special as a child, not just because of their sugary sweetness, but also because, for much of Vietnam’s contemporary history, you could only enjoy them if you have relatives abroad.

in Culture

When Lịch Bloc Is Gone, What Will Vietnam Use to Keep Discarded Fish Bones?

I have never bought a lịch bloc, or tear-off calendar, for personal use, because every new year, I'm bound to be gifted a brand-new one. In Vietnam, a calendar is often something one purchases as a present for others.

Paul Christiansen

in Music & Arts

The Vibrancy of Vietnam's Mundane Depicted by Illustrator Chan-Nhu Le

“I miss that. When I was young, on the motorbike with my friends, it was like ’hey, you have 15 minutes?’ and we just met up [...], had some street food and did literally nothing; just street watching. It was fun,” Chan-Nhu Le shared with Saigoneer about the inspiration for her illustrations.

Paul Christiansen

in Music & Arts

The Unquenchable Spirit of Artist Lê Triều Điển

“Điển is like a flower; there is no question of growing or not growing.”

in Music & Arts

Cổ Động's Live Session Series 'Động Tag' Returns for Season 2 With 9 Vietnamese Artists

Động Tag Live Session, Cổ Động’s series of live recordings aiming to highlight Vietnam’s up-and-coming musicians, is returning with a second season.

in Culture

The Artist Preserving Saigon's Cultural Tapestry Through Hand-Painted Signs

"In the early 2000s, the market experienced an exodus of painters due to the shift to digital; it was difficult to retain customers otherwise. I didn't want my craft to be forgotten, so I started everything all over,” Nguyễn Hoài Bảo told me in Vietnamese when I visited his studio.