Saigoneer

In MARG1N, a Resolute Return to Print Media That Dissects Southeast Asian Cinema

The joy of reading, for most of my life, had been primarily grounded in the joy of learning, feeling, and thinking through words, independent of medium. That is, until college, when I found myself repeatedly longing for Thursday mornings, when the week’s freshly printed student newspaper would arrive neatly folded and stacked, ready to be spread over the dining-hall table like wrapping paper. I came to realize then that the joy of reading was not simply about words; it was also about the tactile touch of paper and of the inexplicable satisfaction of flipping through pages bigger than my hands could reasonably manage.